Artist: Jocelyn Enriquez: mp3 download Genre(s): Other Discography: All My Life Year: 2003 Tracks: 12 For a majority of her childhood in San Francisco, Jocelyn Enriquez had the opportunity to flex her vocal talents. From her other puerile years playing with the San Francisco Girls Chorus and the San Francisco Opera Company by and by on, her stage know eventually due north Korean north Korean won her a recording take with Classified Records by the time she turned 16. Her debut Lovely shoot the streets in 1994, prompting Tommy Boy Records to have card and release Enriquez's followup, conveniently titled Jocelyn tierce days later on. Her first base single "Do You Miss Me" issue forth to the R&B and dance charts in 1997, and Enriquez earned the chance to enlistment with such acts of the Apostles of the Apostles as the Fugees, LL Cool J, Brandy, Mase and Dru Hill. Following her bring back to the Bay Area in 1998, she recognised the award for Best R&B Artist at the Bay Area Music Awards and was prestigious at the 1998 "Bridgework Builders" Asian American Leadership Awards. |
Monday, 8 September 2008
Download Jocelyn Enriquez mp3
Friday, 29 August 2008
Download Roy Orbisson mp3
Artist: Roy Orbisson: mp3 download Genre(s): Blues Discography: Crying Year: 2000 Tracks: 12 Although he shared the same rockabilly roots as Carl Perkins, Johnny Cash, and Elvis Presley, Roy Orbison went on to pioneer an solely different blade of country/pop-based rock-and-roll & roll in the early '60s. What he lacked in personal appeal and photogenic looks, Orbison made up for in spades with his quavering operatic articulation and melodramatic narratives of unrequited dearest and hungriness. In the process, he effected rock candy & roll up archetypes of the underdog and the hopelessly romanticistic nonstarter. These were non only amplified by peers such as Del Shannon and Gene Pitney, but also influenced future generations of roots bikers such as Bruce Springsteen and Chris Isaak, as well as modern state stars the Mavericks. Roy Orbison made his get-go widely distributed recordings for Sun Records in 1956. Roy was a up to rockabilly singer, and had a small interior rack up with his first Sun single, "Ooby Dooby." But regular and then, he was far more comfortable as a lay singer than as a hepped-up rockabilly swing cat. Other Sun singles met with no success, and by the late '50s he was concentrating in the first place on building a vocation as a ballad maker, his biggest early success being "Claudette" (recorded by the Everly Brothers). Later a brief, unsuccessful stint with RCA, Orbison in the end launch his phonation with Monument Records, grading a number-two hit in 1960 with "Only the Lonely." This constituted the Roy Orbison image for undecomposed: a pensiveness rockaballad of failed lovemaking with a sweet, haunting melody, enhanced by his Caruso-like vocal trills at the song's emotional climax. These and his subsequent Monument hits as well boasted innovative, quasi-symphonic production, with Roy's voice and guitar backed by billowing strings, minatory drum rolls, and celestial choirs of backup vocalists. Between 1960 and 1965, Orbison would have got 15 Top 40 hits for Monument, including such suspenseful mini-dramas as "Running Scared," "Egregious," "In Dreams," and "It's Over." Not just a singer of tear-jerking ballads, he was too capable of effecting a elusive, bluesy bully on "Dream Baby," "Confect Man," and "Mean Woman Blues." In fact, his biggest and topper strike was too his hardest-rocking: "Oh, Pretty Woman" soared to number one in late 1964, at the extremum of the British Invasion. It seemed at that time that Roy was well-equipped to outlast the British bombardment of the mid-'60s. He had even toured with the Beatles in Britain in 1963, and John Lennon has admitted to nerve-wracking to emulate Orbison when authorship the Beatles' first British chart-topper, "Please Please Me." But Orbison's fortunes declined apace after he left Monument for MGM in 1965. It would be easy to say that the major label couldn't reduplicate the singular production values of the classical Monument singles, merely that's only part of the story. Roy, after all, was still writing well-nigh of his corporeal, and his early MGM records were produced in a style that close approximated the Monument eRA. The harder truth to boldness was that his songs were starting to sound like lesser variations of themselves, and that contemporaneous trends in rock candy and mortal were making him sound superannuated. Roy Orbison, like many early rock candy greats, could constantly reckon on big abroad audiences to pay the bills. The two decades 'tween the mid-'60s and mid-'80s were undeniably bad ones for him, though, both personally and professionally. A late-'60s stab at playing failed miserably. In 1966, his married woman died in a bike accident; a couple of years by and by, his house burned-over depressed, iI of his sons perishing in the flames. Periodic comeback attempts with desultory albums in the seventies came to naught. Orbison's deliver to the public eye came about through unexpected destiny. In the mid-'80s, David Lynch's Blue Velvet flick conspicuously featured "In Dreams" on its soundtrack. That lED to the singer making an entire record album of re-recordings of hits, with T-Bone Burnett playing as producer. The track record was no substitute for the originals, simply it did help reinstate him to prominence inside the industry. Shortly later, he coupled George Harrison, Bob Dylan, Tom Petty, and Jeff Lynne in the Traveling Wilburys. Their successful album typeset the stage for Orbison's c. H. Best album in all over 20 days, Closed book Girl, which emulated the sound of his classic '60s work without sounding well-worn. By the time it reached the charts in early 1989, however, Orbison was beat, claimed by a heart attack in December 1988. |
Tuesday, 19 August 2008
Scientists Replicate Diseases In The Lab With New Stem Cell Lines
Researchers led by Howard Hughes Medical Institute investigator George Q. Daley have converted cells from individuals with the diseases into stem turn cells with the same genetic errors. These newly-created stem cells will let researchers to reproduce human tissue formation in a Petri dish as it occurs in individuals with any of the x diseases, a vast improvement over flow technology. Like all root cells, these disease-specific stalk cells rise indefinitely, and scientists stool coax them into seemly a
Saturday, 9 August 2008
Bow Wow Reunites With Dupri In Studio
Rapper BOW WOW has made amends with his producer chum JERMAINE DUPRI and is desperate to feature the hip-hop mogul on his upcoming LP - in one descriptor or another.
The 21-year-old MC is currently in the midst of transcription his new album Pedigree, and Bow Wow - real appoint Shad Moss - is confident wise man Dupri will be qualification a edgar Guest appearance on the fancy after the pair settled a previous dispute over creative control.
And Bow Wow admits they are now closer than always.
He tells MTV.com, "He's my father. He's the dude when you in the cribbage and have your arguments, you move out the crib. ...But me and Jermaine Dupri are endorse tight over again. We wall hanging out every day.
"I'm putting him on this song Swizz Beatz did for me called Big Bank Take Little Bank. I'm nerve-racking to flip him on there right now. Y'all gonna witness JD on the album even if he just now gets on there and says, 'Y'all know what this is!' He's gonna be a theatrical role of it even if I feature to drag him."
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Tuesday, 1 July 2008
Ace the Masta-mind of eMC crew
The Brooklyn MC landed on planet hip-hop in the mid-1980s as a member of Queens producer Marley Marl’s legendary Juice Crew. With powerhouse MCs such as Big Daddy Kane, Kool G Rap and Biz Markie by his side, Ace began his career near the top of the rap game.
His new outfit, eMC, has only four members. It hardly rolls as deep as the Juice Crew. But when Ace brings his eMC cohorts Punchline, Wordsworth and Stricklin’ to Harpers Ferry Friday, fans will see that quartet is more of an all-star posse than a standard rhyme syndicate.
“Everyone here is an accomplished artist in their own regard,” Ace said from New York, “so what I provide is leadership and guidance for the other members. A lot of times with something like this you wind up going in four different directions. But with these guys taking my lead on things, we’re able to get on the same page.”
EMC came together on the road: All three of Ace’s sidekicks have toured with him in the past five years. At a Toronto show in 2005, the foursome convened for the first time and decided to collaborate on more than just some stray tracks.
For Punchline and Wordsworth, best known previously for their work in the New York underground scene, and Milwaukee MC Stricklin’, whom rap fans knew from his cameos on the last two Ace albums, eMC offered a once-in-a-life-rhyme opportunity.
“I think hip-hop has a big ego problem,” Punchline said in a separate conversation. “That’s why we did the group thing. We want to do solo projects, too, but this is a better way to get our names out there.”
While his eMC mates are on the first leg of their individual careers, Ace is done dropping solo discs. Following five years with no full-length releases, he returned with “Disposable Arts” in 2001. After that critically admired effort and his subsequent “A Long Hot Summer” in 2004, Ace decided to share his spotlight.
“I want to leave the Masta Ace franchise right where it is,” Ace said. “I think ‘A Long Hot Summer’ was the right way to end it off, but retiring from solo albums is not the same thing as putting the mike down. I just want to do new and different things.”
Next up for Ace is a duet disc with Boston legend Edo G, who will host Friday’s Harpers Ferry show. But first up is a world tour with eMC. The group’s debut, “The Show,” is one of the most buzzed about rap releases of the year, even earning the title of “First Great Rap Disc of 2008” from L.A. Weekly.
“This album came out the way it did because it made sense,” said Wordsworth, calling from New York. “It wasn’t like I ran into someone yesterday and was like, your stuff is kind of hot, do you want to be in a group? This is us saying to other rappers, if you’re going to do a group, then make sure it’s worth doing.”
EMC, at Harpers Ferry, Allston, Friday. Tickets: $15 in advance, $17 day of show; 800-594-8499.
Wednesday, 18 June 2008
Jimmy Page Says Led Zeppelin Have A Live Future
Led Zeppelin guitarist Jimmy Page has hinted that the band still have a live future following their reunion concert last December.
Speaking at a music awards ceremony, where the band were named Best Live act, Page said: "I hope fans can vote for Led Zeppelin live awards in the future."
The band's show at the O2 Arena in London last year was one of the most anticipated music events of all time, attracting over 1 million requests for tickets.
Although Page acknowledged that people would like to see the band live, he said that much relied on frontman Robert Plant, who has so far distanced himself from playing any more dates.
"You've got to have all four members and Robert Plant is out on the road [right now]," he told the Daily Star newspaper.
"I'm not gonna persuade Robert to do anything. You come together through the goodness of your heart."
Plant is currently on the road with songwriter Alison Krauss. You can see pictures from their recent show at Madison Square Garden in New York below...
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B Cee and Lomax
Artist: B Cee and Lomax
Genre(s):
Drum & Bass
Discography:
B_Cee_&_Lomax-INTRINSIC002 Vinyl
Year: 2005
Tracks: 2
 
Judge tosses out former NYC gossip columnist's defamation suit
NEW YORK - A judge has dismissed New York Post gossip columnist Jared Paul Stern's defamation lawsuit against the Daily News, supermarket mogul Ron Burkle and Bill and Hillary Rodham Clinton.
Stern denied Burkle's claim that he'd demanded money to squelch negative news.
The Clintons are friends of Burkle, and the former president complained about Stern's Page Six column. The Daily News reported on the fracas involving its rival.
Stern's lawsuit, filed in March 2007, accused Burkle and the Clintons of trying to defame and discredit him. He claimed the Daily News - along with a publicist and a former Secret Service investigator - conspired with them.
State Supreme Court Justice Walter Tolub said Tuesday that Stern didn't prove his case.
Stern and his lawyer did not return a call and e-mail Tuesday.
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Gavin Rossdale - Rossdale Blames Del Toro For Lack Of Movie Roles
British rocker-turned-actor GAVIN ROSSDALE blames BENICIO DEL TORO for his stalled Hollywood career - because the Latin star lands all the best movie roles.
Rossdale, who is married to pop star Gwen Stefani, hit the big-screen in his first major role in 2005's Constantine.
But he's failed to win another "great" movie part since - and is convinced Oscar winner Del Toro is the reason for his lack of work.
He tells Britain's New! magazine, "I'm not prepared to be in bad films just to keep my foot in the door. So I'm reliant on a great part coming along.
"And the problem is, I want every role that Benicio Del Toro does, so I'm f**ked until he wants to take a holiday."
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Desperate Housewives - Cross In Car Crash
DESPERATE HOUSEWIVES star MARCIA CROSS is recovering from a car crash after her Lexus collided with another vehicle in Los Angeles on Wednesday (11Jun08).
Initial reports suggest no one was hurt in the accident, but the vehicle Cross hit was severely damaged. Both cars were removed from the scene by a tow truck. No police report was filed.
Further details about the accident were not available as WENN went to press.
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Snoop Dogg - Snoop Writes Bluegrass Album
SNOOP DOGG is ditching rap to record an album of bluegrass songs.
The hip-hop star became inspired by his appearance at the Country Music Television (CMT) Awards in April (08) - and is busy writing tracks.
He tells OK! magazine, "I went to the CMT Music Awards and I got into the spirit of wanting to do something different.
"I've been smoking so much green grass I wanted to do a bluegrass album."
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